Inspire
Journey inside the score with our Canadian Voices-Edmonton composers. Follow the links below to each composer’s introduction to their work.
“In 1999 I composed “Eulogies” for Pro Coro Canada, a set of 4 choral works based on eulogies that Val Brandt had written for friends and family. In some ways, this is my fifth eulogy, a heartfelt tribute for a mother.”
“Every piece I create is a piece of me, my family, my Cree people, and includes teachings. Yôtin (the wind) is sacred, playful and intense and the piece is meant to capture that. Yôtin starts gentle but ends up fierce and cold. Yôtin is always intentional and purposeful.”
Composer Allan Gilliland and Poet Jemma Hicken discuss “How Good Will It Feel?” premiering on Pro Coro TV
While it’s rare to experience such a concentrated burst of creativity, I am thankful to King’s Fold for the serenity and opportunity to focus. I have no doubt that the gorgeous views, overlooking the Ghost River at the base of the Rocky Mountains, contributed to the sense of stillness in this piece.
It felt ominous, haunting, rebellious, hopeful, defiant, and it held the making of one’s art as the highest priority above all else. All of this I felt, all of this I was living at the time.
As I contemplated how to musically express our collective anxiety as we try to adjust to a new world where we navigate one another in new and uncomfortable ways, I began to think of our new ways of interacting as a delicate and controlled dance.
My first reaction is often to write something challenging and grand, especially when given the opportunity to write for a group like Pro Coro. Michael Zaugg asked if I would consider writing for treble voices, and I immediately knew I wanted to write a piece with a strong and powerful message for young female singers.
“Like the stars, we are singular and dynamic, and we also belong to something much greater.”